The Solitary Reaper by William Wordsworth
The Daffodils by William Wordsworth
The Rime of the Ancient Mariner by Samuel Taylor Coleridge
No Man is an Island by John Donne
The Frog and the Nightingale by Vikram Seth
Stopping by Woods on a Snowy Evening by Robert Frost
The Road Not Taken by Robert Frost
Home They Brought Her Warrior Dead by Alfred Lord Tennyson
The Brook by Alfred Lord Tennyson
The Oak by Alfred Lord Tennyson
The Highwayman by Alfred Noyes
If by Rudyard Kipling
All the World's a Stage by William Shakespeare
She Walks in Beauty by Lord Byron
In Broken Images by Robert Graves
Goliath and David by Robert Graves
Palanquin Bearers by Sarojini Naidu
Weavers by Sarojini Naidu
Jabberwocky by Lewis Carroll
Spring by William Blake
The Year's at the Spring by Robert Browning
Patience by Rabindranath Tagore
Fool by Rabindranath Tagore
The Sensitive Plant by Percy Bysshe Shelley
The Prelude by William Wordsworth
Annabel Lee by Edgar Allan Poe
A Book by Emily Dickinson
I Wandered Lonely as a Cloud by William Wordsworth
To Autumn by John Keats
Lochinvar by Sir Walter Scott
Les Miserables - I dreamed a dream by Herbert Kretzmer (lyrics), Claude-Michel Schonberg (music) and John Cameron (orchestration)
Also check out a poetry collection from BBC.
BEHOLD her, single in the field,
Yon solitary Highland Lass!
Reaping and singing by herself;
Stop here, or gently pass!
Alone she cuts and binds the grain,
And sings a melancholy strain;
O listen! for the Vale profound
Is overflowing with the sound.
No Nightingale did ever chaunt
More welcome notes to weary bands
Of travellers in some shady haunt,
Among Arabian sands:
A voice so thrilling ne'er was heard
In spring-time from the Cuckoo-bird,
Breaking the silence of the seas
Among the farthest Hebrides.
Will no one tell me what she sings?
Perhaps the plaintive numbers flow
For old, unhappy, far-off things,
And battles long ago:
Or is it some more humble lay,
Familiar matter of to-day?
Some natural sorrow, loss, or pain,
That has been, and may be again?
Whate'er the theme, the Maiden sang
As if her song could have no ending;
I saw her singing at her work,
And o'er the sickle bending;
I listen'd, motionless and still;
And, as I mounted up the hill,
The music in my heart I bore,
Long after it was heard no more.
I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of the bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Out-did the sparkling waves in glee
A poet could not but be gay,
In such a jocund company
I gazed -- and gazed -- but little thought
What wealth the show to me had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.
Part - I
At length did cross an Albatross,
Thorough the fog it came;
As it had been a Christian soul,
We hailed it in God's name.
It ate the food it ne'er had eat,
And round and round it flew.
The ice did split with a thunder-fit;
The helmsman steered us through!
And a good south wind sprung up behind;
The Albatross did follow,
And every day, for food or play,
Came to the mariner's hollo!
In mist or cloud, on mast or shroud,
It perched for vespers nine;
Whiles all the night, through fog-smoke white,
Glimmered the white moonshine."
'God save thee, ancient Mariner,
From the fiends that plague thee thus! -
Why look'st thou so?' -"With my crossbow
I shot the Albatross."
Water, water, every where,
And all the boards did shrink;
Water, water, every where,
Nor any drop to drink.
Ah! well-a-day! what evil looks
Had I from old and young!
Instead of the cross, the Albatross
About my neck was hung."
No man is an island entire of itself; every man
is a piece of the continent, a part of the main;
if a clod be washed away by the sea, Europe
is the less, as well as if a promontory were, as
well as any manner of thy friends or of thine
own were; any man's death diminishes me,
because I am involved in mankind.
And therefore never send to know for whom
the bell tolls; it tolls for thee.
Once upon a time a frog
Croaked away in Bingle Bog
Every night from dusk to dawn
He croaked awn and awn and awn
Other creatures loathed his voice,
But, alas, they had no choice,
And the crass cacophony
Blared out from the sumac tree
At whose foot the frog each night
Minstrelled on till morning night
Neither stones nor prayers nor sticks.
Insults or complaints or bricks
Stilled the frogs determination
To display his heart's elation.
But one night a nightingale
In the moonlight cold and pale
Perched upon the sumac tree
Casting forth her melody
Dumbstruck sat the gaping frog
And the whole admiring bog
Stared towards the sumac, rapt,
And, when she had ended, clapped,
Ducks had swum and herons waded
To her as she serenaded
And a solitary loon
Wept, beneath the summer moon.
Toads and teals and tiddlers, captured
By her voice, cheered on, enraptured:
"Bravo!" "Too divine!" "Encore!"
So the nightingale once more,
Quite unused to such applause,
Sang till dawn without a pause.
Next night when the Nightingale
Shook her head and twitched her tail,
Closed an eye and fluffed a wing
And had cleared her throat to sing
She was startled by a croak.
"Sorry, was that you who spoke?"
She enquired when the frog
Hopped towards her from the bog.
"Yes", the frog replied. "You see,
I'm the frog who owns this tree
In this bog I've long been known
For my splendid baritone
And, of course, I wield my pen
For Bog Trumpet now and then"
"Did you, did you like my song?"
"Not too bad, but far too long.
The technique was fine of course,
But it lacked a certain force".
"Oh!" the nightingale confessed.
Greatly flattered and impressed
That a critic of such note
Had discussed her art and throat:
"I don't think the song's divine.
But, oh, well! at least it's mine".
"That's not much to boast about".
Said the heartless frog. "Without
Proper training such as I
- And few others can supply.
You'll remain a mere beginner.
But with me you'll be a winner."
"Dearest frog", the nightingale
Breathed: "This is a fairy tale -
And you are Mozart in disguise
Come to earth before my eyes"s.
"Well I charge a modest fee."
"Oh!" "But it won't hurt, you'll see"
Now the nightingale inspired,
Flushed with confidence, and fired
With both art and adoration,
Sang - and was a huge sensation.
Animals for miles around
Flocked towards the magic sound,
And the frog with great precision
Counted heads and charged admission.
Though next morning it was raining,
He began her vocal training.
"But I can't sing in this weather"
"Come my dear - we'll sing together.
Just put on your scarf and sash,
Koo-oh-ah! ko-ash! ko-ash!"
So the frog and nightingale
Journeyed up and down the scale
For six hours, till she was shivering
and her voice was hoarse and quivering.
Though subdued and sleep deprived,
In the night her throat revived,
And the sumac tree was bowed,
With a breathless, titled crowd:
Owl of Sandwich, Duck of Kent,
Mallard and Milady Trent,
Martin Cardinal Mephisto,
And the Coot of Monte Cristo,
Ladies with tiaras glittering
In the interval sat twittering -
And the frog observed them glitter
With a joy both sweet and bitter.
Every day the frog who'd sold her
Songs for silver tried to scold her:
"You must practice even longer
Till your voice, like mine grows stronger.
In the second song last night
You got nervous in mid-flight.
And, my dear, lay on more trills:
Audiences enjoy such frills.
You must make your public happier:
Give them something sharper snappier.
We must aim for better billings.
You still owe me sixty shillings."
Day by day the nightingale
Grew more sorrowful and pale.
Night on night her tired song
Zipped and trilled and bounced along,
Till the birds and beasts grew tired
At a voice so uninspired
And the ticket office gross
Crashed, and she grew more morose -
For her ears were now addicted
To applause quite unrestricted,
And to sing into the night
All alone gave no delight.
Now the frog puffed up with rage.
"Brainless bird - you're on the stage"
Use your wits and follow fashion.
Puff your lungs out with your passion."
Trembling, terrified to fail,
Blind with tears, the nightingale
Heard him out in silence, tried,
Puffed up, burst a vein, and died.
Said the frog: "I tried to teach her,
But she was a stupid creature"
Far too nervous, far too tense.
Far too prone to influence.
Well, poor bird - she should have known
That your song must be your own.
That's why I sing with panache:
"Koo-oh-ah! ko-ash! ko-ash!"
And the foghorn of the frog
Blared unrivalled through the bog.
Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.
He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.
The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I -
I took the one less traveled by
And that has made all the difference.
Home they brought her warrior dead:
She nor swooned, nor uttered cry:
All her maidens, watching, said,
'She must weep or she will die.'
Then they praised him, soft and low,
Called him worthy to be loved,
Truest friend and noblest foe;
Yet she neither spoke nor moved.
Stole a maiden from her place,
Lightly to the warrior stepped,
Took the face-cloth from the face;
Yet she neither moved nor wept.
Rose a nurse of ninety years,
Set his child upon her knee-
Like summer tempest came her tears-
'Sweet my child, I live for thee.'
I come from haunts of coot and hern,
I make a sudden sally
And sparkle out among the fern,
To bicker down a valley.
By thirty hills I hurry down,
Or slip between the ridges,
By twenty thorpes, a little town,
And half a hundred bridges.
Till last by Philip's farm I flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.
I chatter over stony ways,
In little sharps and trebles,
I bubble into eddying bays,
I babble on the pebbles.
With many a curve my banks I fret
By many a field and fallow,
And many a fairy foreland set
With willow-weed and mallow.
I chatter, chatter, as I flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.
I wind about, and in and out,
With here a blossom sailing,
And here and there a lusty trout,
And here and there a grayling,
And here and there a foamy flake
Upon me, as I travel
With many a silvery waterbreak
Above the golden gravel,
And draw them all along, and flow
To join the brimming river
For men may come and men may go,
But I go on for ever.
I steal by lawns and grassy plots,
I slide by hazel covers;
I move the sweet forget-me-nots
That grow for happy lovers.
I slip, I slide, I gloom, I glance,
Among my skimming swallows;
I make the netted sunbeam dance
Against my sandy shallows.
I murmur under moon and stars
In brambly wildernesses;
I linger by my shingly bars;
I loiter round my cresses;
And out again I curve and flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.
Live thy Life,
Young and old,
Like yon oak,
Bright in spring,
Living gold;
Summer-rich
Then; and then
Autumn-changed
Soberer-hued
Gold again.
All his leaves
Fall'n at length,
Look, he stands,
Trunk and bough
Naked strength.
Tlot-tlot; tlot-tlot! Had they heard it? The horse-hoofs ringing clear;
Tlot-tlot, tlot-tlot, in the distance? Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding,
Riding, riding!
The red-coats looked to their priming! She stood up, straight and still!
If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too:
If you can wait and not be tired by waiting,
Or, being lied about, don't deal in lies,
Or being hated don't give way to hating,
And yet don't look too good, nor talk too wise;
If you can dream---and not make dreams your master;
If you can think---and not make thoughts your aim,
If you can meet with Triumph and Disaster
And treat those two impostors just the same:.
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build'em up with worn-out tools;
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings,
And never breathe a word about your loss:
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on!"
If you can talk with crowds and keep your virtue,
Or walk with Kings---nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much:
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And---which is more---you'll be a Man, my son!
All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages. At first, the infant,
Mewling and puking in the nurse's arms.
Then the whining schoolboy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honor, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slippered pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well saved, a world too wide
For his shrunk shank, and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.
She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that's best of dark and bright
Meet in her aspect and her eyes;
Thus mellowed to that tender light
Which heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o'er her face;
Where thoughts serenely sweet express,
How pure, how dear their dwelling-place.
And on that cheek, and o'er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!
He is quick, thinking in clear images;
I am slow, thinking in broken images.
He becomes dull, trusting to his clear images;
I become sharp, mistrusting my broken images.
Trusting his images, he assumes their relevance;
Mistrusting my images, I question their relevance.
Assuming their relevance, he assumes the fact;
Questioning their relevance, I question their fact.
When the fact fails him, he questions his senses;
when the fact fails me, I approve my senses.
He continues quick and dull in his clear images;
I continue slow and sharp in my broken images.
He in a new confusion of his understanding;
I in a new understanding of my confusion.
Once an earlier David took
Smooth pebbles from a brook:
Out between the lines he went
To that one-sided tournament,
A shepherd boy who stood out fine
And young to fight a Philistine
Clad all in brazen mail. He swears
That he's killed lions, he's killed bears,
And those that scorn the God of Zion
Shall perish so like bear or lion.
But . . . the historian of that fight
Had not the heart to tell it right.
Striding within javelin range
Goliath marvels at this strange
Goodly-faced boy so proud of strength.
David's clear eye measures the length;
With hand thrust back, he cramps one knee,
Poises a moment thoughtfully,
And hurls with a long vengeful swing.
The pebble, humming from the sling
Like a wild bee, flies a sure line
For the forehead of the Philistine;
Then . . . but there comes a brazen clink.
And quicker than a man can think
Goliath's shield parries each cast.
Clang! clang! and clang! was David's last.
Scorn blazes in the Giant's eye,
Towering unhurt six cubit's high.
Says foolish David, 'Damn your shield!
And damn my sling! but I'll not yield.'
He takes his staff of Mamre oak,
A knotted shepherd-staff that's broke
The skull of many a wolf and fox
Come filching lambs from Jesse's flocks.
Loud laughs Goliath, and that laugh
Can scatter chariots like blown chaff
To rout: but David, calm and brave,
Holds his ground, for God will save.
Steel crosses wood, a flash, and oh!
Shame for Beauty's overthrow!
(God's eyes are dim, His ears are shut.)
One cruel backhand sabre cut --
'I'm hit! I'm killed!' young David cries,
Throws blindly foward, chokes . . . and dies.
And look, spike-helmeted, grey, grim,
Goliath straddles over him.
Lightly, O lightly we bear her along,
She sways like a flower in the wind of our song;
She skims like a bird on the foam of a stream,
She floats like a laugh from the lips of a dream.
Gaily, O gaily we glide and we sing,
We bear her along like a pearl on a string.
Softly, O softly we bear her along,
She hangs like a star in the dew of our song;
She springs like a beam on the brow of the tide,
She falls like a tear from the eyes of a bride.
Lightly, O lightly we glide and we sing,
We bear her along like a pearl on a string.
'Twas brillig, and the slithy toves
did gyre and gimble in the wabe.
All mimsy were the borogoves,
And the mome raths outgrabe.
"Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
the frumious Bandersnatch!"
He took his vorpal sword in hand:
Long time the maxome foe he sought-
So rested he by the Tumtum tree,
And stood a while in thought.
As in uffish thought he stood,
The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came.
One, two! One, two! And through and through
The vorpal blade went snicker-snack.
He left it dead, and with its head
He went galumphing back.
"Has thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Calloh! Callay!
He chortled in his joy.
'Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.
Sound the Flute!
Now it's mute.
Birds delight
Day and Night
Nightingale
In the dale
Lark in Sky
Merrily
Merrily Merrily to welcome in the Year
Little Boy
Full of joy,
Little Girl
Sweet and small,
Cock does crow
So do you.
Merry voice
Infant noise
Merrily Merrily to welcome in the Year
Little Lamb
Here I am.
Come and lick
My white neck.
Let me pull
Your soft Wool.
Let me kiss
Your soft face
Merrily Merrily we welcome in the Year
The year's at the spring,
And day's at the morn;
Morning's at seven;
The hill-side's dew-pearled;
The lark's on the wing;
The snail's on the thorn;
God's in his Heaven-
All's right with the world!
If thou speakest not I will fill my heart with thy silence and endure it.
I will keep still and wait like the night with starry vigil
and its head bent low with patience.
The morning will surely come, the darkness will vanish,
and thy voice pour down in golden streams breaking through the sky.
Then thy words will take wing in songs from every one of my birds' nests,
and thy melodies will break forth in flowers in all my forest groves.
O Fool, try to carry thyself upon thy own shoulders!
O beggar, to come beg at thy own door!
Leave all thy burdens on his hands who can bear all,
and never look behind in regret.
Thy desire at once puts out the light from the lamp it touches with its breath.
It is unholy---take not thy gifts through its unclean hands.
Accept only what is offered by sacred love.
Weavers, weaving at break of day,
Why do you weave a garment so gay? . . .
Blue as the wing of a halcyon wild,
We weave the robes of a new-born child.
Weavers, weaving at fall of night,
Why do you weave a garment so bright? . . .
Like the plumes of a peacock, purple and green,
We weave the marriage-veils of a queen.
Weavers, weaving solemn and still,
What do you weave in the moonlight chill? . . .
White as a feather and white as a cloud,
We weave a dead man's funeral shroud.
For mighty were the auxiliars which then stood
Upon our side, us who were strong in love!
Bliss was it in that dawn to be alive,
But to be young was very Heaven! O times,
In which the meagre, stale, forbidding ways
Of custom, law, and statute, took at once
The attraction of a country in romance!
It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of ANNABEL LEE;
And this maiden she lived with no other thought
Than to love and be loved by me.
I was a child and she was a child,
In this kingdom by the sea;
But we loved with a love that was more than love-
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.
And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsman came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.
The angels, not half so happy in heaven,
Went envying her and me-
Yes!- that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love
Of those who were older than we-
Of many far wiser than we-
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee.
For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling- my darling- my life and my bride,
In the sepulchre there by the sea,
In her tomb by the sounding sea.
There is no frigate like a book
To take us lands away,
Nor any coursers like a page
Of prancing poetry.
This traverse may the poorest take
Without oppress of toll;
How frugal is the chariot
That bears a human soul!
I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed -- and gazed -- but little thought
What wealth the show to me had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.
Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimm'd their clammy cells.
O young Lochinvar is come out of the west,
Through all the wide Border his steed was the best;
And save his good broadsword he weapons had none,
He rode all unarm'd, and he rode all alone.
So faithful in love, and so dauntless in war,
There never was knight like the young Lochinvar.
He staid not for brake, and he stopp'd not for stone,
He swam the Eske river where ford there was none;
But ere he alighted at Netherby gate,
The bride had consented, the gallant came late:
For a laggard in love, and a dastard in war,
Was to wed the fair Ellen of brave Lochinvar.
So boldly he enter'd the Netherby Hall,
Among bride's-men, and kinsmen, and brothers and all:
Then spoke the bride's father, his hand on his sword,
(For the poor craven bridegroom said never a word,)
"O come ye in peace here, or come ye in war,
Or to dance at our bridal, young Lord Lochinvar?"
"I long woo'd your daughter, my suit you denied;-
Love swells like the Solway, but ebbs like its tide-
And now I am come, with this lost love of mine,
To lead but one measure, drink one cup of wine.
There are maidens in Scotland more lovely by far,
That would gladly be bride to the young Lochinvar."
The bride kiss'd the goblet: the knight took it up,
He quaff'd off the wine, and he threw down the cup.
She look'd down to blush, and she look'd up to sigh,
With a smile on her lips and a tear in her eye.
He took her soft hand, ere her mother could bar,-
"Now tread we a measure!" said young Lochinvar.
So stately his form, and so lovely her face,
That never a hall such a galliard did grace;
While her mother did fret, and her father did fume,
And the bridegroom stood dangling his bonnet and plume;
And the bride-maidens whisper'd, "'twere better by far
To have match'd our fair cousin with young Lochinvar."
One touch to her hand, and one word in her ear,
When they reach'd the hall-door, and the charger stood near;
So light to the croupe the fair lady he swung,
So light to the saddle before her he sprung!
"She is won! we are gone, over bank, bush, and scaur;
They'll have fleet steeds that follow," quoth young Lochinvar.
There was mounting 'mong Graemes of the Netherby clan;
Forsters, Fenwicks, and Musgraves, they rode and they ran:
There was racing and chasing on Cannobie Lee,
But the lost bride of Netherby ne'er did they see.
So daring in love, and so dauntless in war,
Have ye e'er heard of gallant like young Lochinvar?
[Fantine is left alone, unemployed and destitute.]
There was a time when men were kind
When their voices were soft
And their words inviting
There was a time when love was blind
And the world was a song
And the song was exciting
There was a time
Then it all went wrong
I dreamed a dream in times gone by
When hope was high
And life worth living
I dreamed that love would never die
I dreamed that God would be forgiving
Then I was young and unafraid
And dreams were made and used and wasted
There was no ransom to be paid
No song unsung
No wine untasted
But the tigers come at night
With their voices soft as thunder
As they tear your hope apart
And they turn your dream to shame
He slept a summer by my side
He filled my days with endless wonder
He took my childhood in his stride
But he was gone when autumn came
And still I dream he'll come to me
That we'll live the years together
But there are dreams that cannot be
And there are storms we cannot weather
I had a dream my life would be
So different from this hell I'm living
So different now from what it seemed
Now life has killed
The dream I dreamed.
